翻訳と辞書
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・ How Much Is Enough?
・ How Much Is Enough? (book)
・ How Much Is the Fish?
・ How Much Is Your Iron?
・ How Much Land Does a Man Need?
・ How Much Love
・ How Much Love (Leo Sayer song)
・ How Much Love (Survivor song)
・ How Much More
・ How Much More Can She Stand
・ How Much Sorrow Do You Have
・ How much wood would a woodchuck chuck
・ How Much Wood Would a Woodchuck Chuck (film)
・ How Munched Is That Birdie in the Window?
・ How Murray Saved Christmas
How Music Got Free
・ How Music Works
・ How My Heart Sings!
・ How My Mother Gave Birth to Me During Menopause
・ How Not to Be Seen
・ How Not to Behave
・ How Not to Decorate
・ How Not to Die
・ How Not to Die in Less Than 24 Hours
・ How Not to Live Your Life
・ How Not to Write a Play
・ How now brown cow
・ How Now Brown Cow (album)
・ How Now Mrs Brown Cow
・ How Now Stakes


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How Music Got Free : ウィキペディア英語版
How Music Got Free

''How Music Got Free: The End of an Industry, the Turn of the Century, and the Patient Zero of Piracy'' is a non-fiction book by journalist Stephen Witt. The book chronicles the invention of the MP3 format for audio information, detailing the efforts by researchers such as Karlheinz Brandenburg to analyze human hearing and successfully compress songs in a form that can be easily transmitted. Witt also documents the rise of the warez scene and spread of copyright-infringing efforts online while detailing the campaigns by music industry executives such as Doug Morris to adapt to changing technology.〔
The publisher Viking distributed the work on June 16, 2015.〔 The book has received praise from publications such as ''Kirkus Reviews'' and ''The Washington Post''.〔〔
==Background and book contents==
The book notes that, at a presentation to the Fraunhofer Society, Brandenburg and his team's presentation of the technology that could re-create the fidelity of a recording on a CD at one-twelfth the size created a stir. "Do you realize what you’ve done?" asked a listener to the team. "You’ve killed the music industry!"〔
"On websites and underground file servers across the world," Witt states, "the number of mp3 files in existence grew by several orders of magnitude. In dorm rooms everywhere incoming college freshmen found their hard drives filled to capacity with pirated mp3s". He also writes, "Music piracy became to the late ’90s what drug experimentation was to the late ’60s: a generation-wide flouting of both social norms and the existing body of law, with little thought of consequences."〔 The book recounts how many people wound up building massive archives of music for little other than the thrill created by finding and sorting the information.〔
Witt writes about the obscure online community known as 'The Scene', particularly describing the efforts of the Rabid Neurosis (RNS) group to illegally spread copyrighted material. A North Carolina manufacturing plant employee named Dell Glover, his life described in detail by Witt, discovers that he has the ability to get his hands on albums before their official release dates and goes on to work with RNS leaking hundreds upon hundreds of discs. Artists such as Mary J. Blige, Mariah Carey, Eminem, Kanye West, and Jay Z have their material distributed online due to Glover's actions. Witt states that Glover and RNS became the world’s premier music pirates, possibly costing the record industry millions of dollars.〔
The book describes how the then CEO of Universal Music Group, Doug Morris, attempted to weather the storm created by technological changes given the evolution of social culture. Witt comments that "the uniform blandness of the corporate sound wasn’t helping" and gives a mixed picture as to how Morris and other executives dealt with falling sales.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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